Secret Belgium Binding Journal 27cm x 24.5cm 200gsm paper
Here is the last book I made in my book binding frenzy. it is a journal with thick watercolour paper pages. I made it for myself for a little drawing project I wanted to undertake.
It is bound using the ‘Secret Belgium’ binding technique. Don’t you just love the title, how could I not have a go at this. This binding technique is similar to coptic but it has a spine that is sewn. A slightly tricksy technique but I am very pleased with the finished result.
Sewing on the spine – Secret Belgium Binding
Secret Belgium Binding Journal Spine Detail
I added a couple of extra details to this book, it has a closure of a crystal button and a handmade cord, which I finally choose after a weeks dithering around with a multitude of different options. I am far more decisive when making decisions for other people and hopeless when it is something for me. It took me four months to choose paint colours for my house and I was able to choose all the colours for a whole house in 3 hours when I was a colour consultant.
Button and cord closure
I also added washi tape to the edges of the papers to give it greater strength, a nice subtle touch to the journal.
Secret Belgium Binding Journal Binding Detail
So that is the book binding for the moment, I have been drawing in my journal and have started a new large art work, so plenty happening at the moment.
Posted in 2014 Artwork, Paperart
Tagged art, book, book binding, books, colored pencil, coloured pencils, drawing, drawings, flower, flowers, handmade journals, Hydrangea, journal, journals, secret belgium binding
I have been pondering on what my style is and what is style and how important is it.
It has been a very busy few weeks, but so interesting. I have been joining in the fun of my class with the Journalling Girls at Mermaid Circus which has been a lot of fun. There have been loads of inspirational videos to download for this on-line course and a Facebook group where the members of the group have been posting examples of their work. The Melbourne members of the group even got together to have a catch up in person and some art supply shopping.
While journalling is not something that I usually do, (though I did have my journal for my trip to France last year. Big sigh, to think I was in Sancerre this time last year) I have found this course really fascinating and insightful in other ways.
One of the best things from the course is when Jane Davenport and Teesha Moore, both spoke about style, and how you create your own style. When I was doing art in high school and uni in the early eighties my lecturers where always on us to create meaningful art and develop a style. While many of my fellow students had robust political ideas which influenced their art, I did not and began to feel that my art was not serious or worthy because of it and it really stifled me in what I did. I also wanted to try lots of different kinds of art work and medium and felt because I varied it so much that I could not develop a style of work. Although I worked my way through these issues they were still in the back of mind.
Both Jane and Teesha tell their students don’t worry about style, you naturally have a style and it will always come out, especially when you let go and just create. How you make marks, the colour that you choose and the mediums that you use are all part of your style and you cannot but have a style when making these decisions. Such a simple insight was so liberating for me, I knew that I had developed a style, but still the old ghosts hang around from the past to haunt you, but this one I have now let go and I feel freer in my art practice which can only be good.
So you never know what you are going to learn about when you do a course, but you always learn something and it just may not be what you thought. Of course when I go back through my different art work that I have posted to this blog, maybe it is more than one style, and that is also ok.
My Relief Printing course has started and I will share some of the work I am doing in that next week.
Posted in Earlier Artwork, What inspires me
Tagged art, art courses, artisitc style, colored pencil, coloured pencils, design, drawings, france, Hydrangea, Jane Davenport, journal, painting, Sancerre, style, Teesha Moore, watercolour pencils, What is style
Hydrangea 1 take 2
I have gone back to the first Hydrangea and added the petal veins (I think that it what you call them) into it. Sitting it beside the second Hydrangea painting showed how necessary it was and I am very pleased with the result. I can tell you I was very nervous painting on the white viens, hoping that I was not about to stuff the whole thing up. Sometimes you really have to be very brave as an artist. I painted the veins on in white paint then went back over them in pencil to knock them back and work them into the painting.
Hydrangea 1 Detail
Making this change has sorted out a couple of problems for me. The colours had dominated the picture and it was a little rainbowish. The white veins have broken the colour up and given more movement and definition to the petals and little flowers. It has also given them a more crinkled look and it sits much more comfortably with the second painting in the series.
Hydrangea 1 Detail
Here is a comparison of the two together for you. The second photo is much better quality than the first.
Hydrangea 1 take 2
I have started the third one which will be more purple, I have given you a sneak preview of it though it is just at the underpainting stage.
Hydrangea 3 underpainting
I am still keen to do some more 3d work, but I will keep focused on this series and not get distracted. So I am being good and strong, till after these last two are done, then I will have a little play.
Hydrangea 2 30cm x 30cm Coloured Pencil, Acrylics and Ink
Here is the second in the Hydrangea series. A more pastel rendition this time, not a colour palette I am used to working in, so a challenge in itself. I added the veins into these petals, not sure if I am going to go back and add them into the first one. I will wait until I have finished the series before I go back and do the last fiddle with them all. I would like them to work together as a set, but we will see as they are completed as to how cohesive they are. The area on the right behind the petals needs some work, just not sure what to do with it yet. it seems too pale, I may make it darker, just need to ponder on it for awhile.
I really like the details in this painting so I thought I would share with you some of my favourite bits.
Hydrangea 2 – Detail
In my previous post I was talking about our lovely autumn weather, well I spoke too soon, It has been hot, really hot for a lot of days now, I think we may go to 10 days straight over 30C (90F) and today and tomorrow will be 36C (100F). Now I love the hot weather but this is taking it a bit far. I will have to go and immerse myself into the cool hydrangeas again.
Hydrangea 2 – Detail
I am thinking of taking a little detour in my techniques and looking at combining my pencil work, with some paper embossing and creating a little 3D work. It is an idea I have been kicking around for awhile so I may have something new to show you. Thank you Karen for your encouragement and Michelle I hope you like this installment.
We are moving into my favourite time of year, Autumn in Victoria. The heat is still with us, but there is a crispness to the air which speaks of the fine sunny days and cool clear nights. I have painted one of my favourite summer flowers Hydrangeas. My mother always had Hydrangeas growing and I loved their great blousy flowers that glowed in the summer shade, reminding me that there were still cool greens around. But as we move into autumn the blues are touched with a purple as they slowly fade.
This was a great deal of fun to do, it is small for me 30cm square and it was a challenge to move the colours in the petals through from yellow, to blue and then purple. There are some really lovely parts of this painting where the colours really sing.
My thoughts when I started this was to do four different hydrangea pictures, I am going to start on my second now, so I might make it.